Co-Director

Baba Prasad is Professor of Leadership at Brown University. His work on strategic agility draws directly from Gandhi's principles, viewing the Mahatma as a model of adaptable, visionary leadership that transcends self-interest. After his Ph.D. at the Wharton School, he taught at several business schools in the USA and India, and has been a consultant for various global organizations. He has been a columnist for Mint, the Indian business newspaper. His book Nimble invites leaders to think beyond immediate corporate gains toward broader societal impact. His extensive civic engagement work includes directing multiple DukeEngage programs in India and designing courses like “Technology in the Service of Society,” which connect innovation and grassroots creativity with social responsibility. He regularly lectures on ethical leadership and entrepreneurship in North Carolina prisons, emphasizing moral agency as a key to systemic transformation and equitable solutions. Baba writes literary fiction and has recently completed his first novel. He translates this literary sensibility into visual metaphor as he co-directs Let Us See.

Editor

Sanyukta Kaza is an Indian film editor known for her work on critically acclaimed films and series. A graduate of Chapman University’s MFA program, she gained recognition for editing Ship of Theseus (2012), which won a National Award and was listed by the British Film Institute among ‘15 life-changing films of all time.’ She also edited Tumbbad (2018), the first Indian film to premiere at Venice Critics’ Week. Her recent projects include Paatal Lok (2025; 2020), Three of Us (2022), and Bhediya (2022), for which she won Best Editor at the Zee Cine Awards. Sanyukta’s films have been screened at major festivals like Cannes, Venice, Sundance, and Toronto, solidifying her role in contemporary Indian cinema.

Director of Photography

Karan Thapliyal's cinematography credits include two Academy Award milestones: "Writing with Fire" (2021), India's first documentary nominated for Best Documentary Feature and double Sundance award winner, which documented Dalit women journalists challenging India's caste and gender hierarchies, and "The Elephant Whisperers,” the first Indian production to win the Academy Award for Best Documentary Short, about the complex relationship between humans and the wild. Karan's work has taken him across India's diverse landscapes—from Siachen's icy peaks to Tamil Nadu's dense forests, from Rajasthan's desert to Meghalaya's monsoons. Based in New Delhi, Karan's documentaries have screened at festivals worldwide, marking him as one of India's most accomplished documentary cinematographers. Over 15 years, he has crafted documentaries for organizations such as WHO, UNICEF, UNDP, and broadcasters like National Geographic, Discovery, and History. Karan cinematography has helped break new ground in representing marginalized voices. With 15 years of experience documenting social justice and environmental justice movements across India's diverse landscapes, he brings both technical excellence and deep cultural sensitivity to this project.

Music Director & Composer

Sneha Khanwalkar is an Indian music director and composer known for her bold, experimental approach to Bollywood music. She gained widespread recognition with Oye Lucky! Lucky Oye! (2008) and Gangs of Wasseypur (2012), where her fusion of folk sounds with contemporary beats earned critical acclaim. Songs like O Womaniya and Hunter became cultural sensations.

Renowned for blending traditional Indian music with modern styles, Sneha actively explores regional folk traditions and collaborates with local artists. She also hosted MTV’s Sound Trippin’, traveling across India to discover and transform raw, authentic sounds into music.

Her recent projects include Monkey Man (2024), Manto (2018), CTRL (2024), Star Wars Anthology – Bandits of Golak (2023), and Schirkoa (2024). A trailblazer in Bollywood’s male-dominated industry, Sneha continues to redefine Indian film music with her innovative and unconventional compositions.

Pradyumna, known affectionately as Paddy, is an acclaimed sound designer whose work has elevated some of the most celebrated films of recent years. With a meticulous ear for detail and a mastery of vocal textures, he crafts immersive soundscapes that bring stories to life. His innovative approach to sound engineering, coupled with his ability to seamlessly adapt across studio and on-location environments, has made him a sought-after professional in the industry.

Pradyumna’s credits include "The Elephant Whisperers" (2023), the first Indian production to win the Academy Award for Best Documentary Short, where his intricate sound work captured the intimate bond between humans and wildlife. He was also instrumental in "The Mehta Boys" (Best Film, Chicago South Asian Film Festival 2024, with an early 2025 release on Amazon Original), a poignant exploration of friendship and identity. His contributions to "Borderlands" (National Award Winner, 2022) and "Murmurs of the Jungle" (National Award Winner, 2023) showcased his ability to highlight the subtleties of human experience and natural environments through sound.

With years of experience and a reputation for pushing creative boundaries, Pradyumna approaches challenges as opportunities for innovation. His dynamic problem-solving and collaborative spirit consistently enhance the emotional and narrative impact of his projects.

Based in India, Pradyumna’s work continues to set new benchmarks in sound design, making him an invaluable asset to filmmakers striving for excellence.

Akshayini is studying cinematography and film-making at Sarah Lawrence College, New York.